adjustment of the hammer hardness, to have a better progression and timbre dynamics from ppp to fff,
adjustment of the quadratic modes, some were a bit too hot at fff, adjustment of the longitudinal modes (responsible for the 'buzzing' sound): in the bass and medium range, some were a little bit too pronounced, Here are some details on the work done on the NY Steinway D (quite a similar work was done on all revised pianos): I didn't understand the criteria used to place Classical in first on NY's list and Jazz in first on HB's list. Less power, sound is fading faster.Īnother thing I didn't understand was why the order of the presets is different, the Prelude is no longer the first in several models. Maybe I'm wrong, but it seems to me that Decay is shorter on all pianos, especially the NY Steinway. The Hammer Hardness (piano) was set to 27 instead of 30. The effect gain was increased from +1 to +2 In addition, the reverb setting was also changed from Small Hall to Concert Hall But the HB Steinway Model D preset remains with just two. There are now 4 active microphones instead of just two. The miking parameters of the NY Steinway Model D preset have been modified. I hear this particularly if I just press and hold a bass note on one of the Steinways.
The notes seem to evolve differently in space, almost as though I can hear them rippling across the soundboard and evolving. I must admit that I have not had the time to play Pianoteq over the past month, so I may be hearing things that were present in version 7. I agree that the sound seems more natural. Something is better, but can not put it into words, in any case I'm happy. I think I hear a fuller sound with 7.50 (with my old ears). I compared my piece ”Adagio covid and omicron” (Petrof Mistral) using the new version 7.50 and the old version. The revoicing is very good Steinway D, NY and HB are more direct. Preview: for advanced users, Pianoteq can be remote controlled with a JSON-RPC api when started with the "-serve localhost:8081" option. Unsaved MIDI mappings can be restored from the midimapping menu, in options / MIDI. Metronome volume and speed are now MIDI controlable. (Standard & Pro) New temperament menu entry for importing the current MTS-ESP tuning as a Pianoteq tuning.įixed sostenuto pedal when used with diatonic mode.ĭelay reduced when playing with the Celeste pedal at a very low velocity. It is now possible to disable external tuning (MTS-ESP, MIDI tuning) in a preset.Įxternal tuning can switch between continuous (sounding notes are re-pitched) and new notes only (sounding notes do not change).Įxternal tuning now sounds much better when the amount of retuning applied to notes is large. Bechstein DG, Steingraeber, Blüthner.Īdded option for damping notes when the sustain pedal is pressed, either with low velocity note-on MIDI or aftertouch (option available in the velocity menu). Facebook stores the data anonymously.Revoicing of NY Steinway D, HB Steinway D, Steinway B, Ant. No personal data is transmitted from our side to Facebook. The information obtained through cookies allows us to compile statistics on ad performance. Facebook Ads conversion tracking allows Facebook and us to track which ads users interact with and which pages they are redirected to after clicking on an ad. In this way, consumers give each other guidance and give us the opportunity to continuously improve. Customers can also leave a comment to report on their shopping experience. With the customer reviews of Trusted Shops it is possible to award stars for delivery, condition of the goods and customer service. This cookie stores user-like settings for the chat system provider, which are required for our online chat service. These discounts are usually communicated through newsletters, which are created and managed by us with the tool "Emarsys". Emarsysįor a more convenient implementation of discounts, we occasionally use cookies which guarantee the discount through a so-called affiliate program through the link of origin. Microsoft stores the information anonymously. No personally identifiable information is submitted to Microsoft. We may use the information collected through cookies to generate statistics about ad performance. Through Microsoft Ads Conversion Tracking, Microsoft and we can track which ads users interact with and which pages they are redirected to after clicking on an ad. The data is stored anonymously by Google. No personally identifiable information is submitted to Google. We may use the information collected through cookies to compile statistics about ad performance. Through Google Ads conversion tracking, Google and we are able to track which ads users interact with and which pages they are redirected to after clicking on an ad.
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